In Conversation with Amri Mrisho – How The KKK Saved The Day
In this edition of In Conversation, we shine a light on How The KKK Saved The Day—a work by Perth-based writer and comedian Amri Mrisho, showing at The Blue Room Theatre from 27 May – 14 Jun. The play is set in the faraway land of Ku Kluxtopia – where everything’s alright and all white – the Klan must protect themselves from the thing they fear most: legal immigration. Inspired by too many real-life racist regimes and featuring an array of musical comedy, outlandish hilarity and clever wit, this is truly an experience like no other. We caught up with Amri Mrisho to dive into the creative process behind the work and what audiences can expect from this thrilling new production.
What motivated you to apply to be part of The Blue Room Theatre’s 2025 season, and what drew you to this project?
I had worked with the Blue Room the previous year and felt so much support from them that I wanted to do it again.
The project is my passion project, finally brought to life with an incredible crew and cast that have been killing it in the rehearsal room. The idea is about deconstructing systemic racism and showing how it’s formed, the motivations behind it and the ways that it adapts to a changing world. When I was writing the play, I knew I didn’t want to just tell another story about how sad racism is, don’t worry, that’s still in the play, but I wanted to talk about the systems of racism, which I feel have never really been talked about in such a direct way.
How has the creative journey been so far—from concept development to rehearsals?
It’s been a lot of fun. I’m fortunate to have made the play before on a smaller scale, so I know what worked and what didn’t, and what to add on and what to take out. Also, being able to flesh out certain parts and characters this time around has been very fulfilling. It’s rewarding to me because I started as an actor, and I know what I liked as an actor, so I know what I look forward to in the creative process from their side.
What has stood out to you during the rehearsal process—any unexpected discoveries or moments of growth?
A lot of jokes, we discovered a lot of jokes. Some lines that weren’t even meant to be jokes turned into jokes. Come see the show if you like jokes!
How has the collaboration with your cast, crew, and creatives shaped the work and your vision for it?
They all feel free to pitch ideas and jokes, and they’re usually really funny or fun, so they end up in the show. The Blue Room also gave a mentorship fund, so I was able to get additional guidance from director and friend Jeremy Levi, who really understood the style of absurdist humour the show has and really showed us how to bring it out.
What does having your show programmed in The Blue Room Season mean to you as a lead creative?
It’s awesome, especially as a Perth artist. The Blue Room is such an established part of our city’s theatre history, it means the world to be able to have my poster on their wall.
As you move closer to opening, what are you most excited—or even nervous—about sharing with audiences?
I’m always super nervous until show time, but I’m excited to find out what jokes hit the hardest, and which characters are people’s favourite. I’m excited to see the audience having a good time.
What is your show bringing to the Perth arts scene, and what do you think would help strengthen the local arts ecosystem?
We’re bringing a lot of fun; we’re bringing a lot of insight, and we’re bringing a lot of nuances that people may be surprised by.
What I really think would strengthen the local arts ecosystem is more fearlessness and support.
Image by Apurva Gupta