The Blue Room Theatre has been the creative hub of Western Australia’s independent theatre scene for more than 30 years, centrally located at the heart of the Perth Cultural Centre.

If you haven’t been to our venue, you have probably heard of our shows. Helpmann-nominated The Adventures of Alvin Sputnik: Deep Sea Explorer, Letters Home and Those Who Fall In Love Like Anchors Dropped Upon The Ocean Floor all began here, as did the careers of Matthew Lutton, Kate Mulvany, Tim Minchin, Claire Hooper, the members of The Last Great Hunt and many more.

We foster new talent and new work through a year-round program presenting and developing the best new independent contemporary performance from Western Australia and further afield.

We present an annual season of works between April – December, a massive Summer Nights program, which won FRINGE WORLD’s Best Independent Program Award for seven years running

With a 30+ year legacy of providing the resources, advocacy and space to make independent performance happen in Perth, we’d love for you to come and visit us and check out a show.

What is this place?
We are a live performance venue. We have two theatres and a bar upstairs. We are also a not-for-profit membership organisation and we have two rehearsal rooms downstairs.

What do you do here?
We co-present an annual program between April – December, a massive program in January/ February called Summer Nights, and Winter Nights, a two-week mid-year festival of theatre research and development in late July.

How do you go about getting a show on here?
Applications for the annual season, Summer Nights and Winter Nights are called for once a year. The best way to find out when applications are open is to become a member. You can check out key dates, information packs and selection criteria on our website under ‘Artists.’

Do you hire out your theatres?
We rarely have space available for hire of the performance venues. Our season shows occupy our performance spaces for nine months of the year; one month of the year is our Summer Nights program; and we also need to carry out maintenance of equipment and venues when we are dark. Our rehearsal rooms are available to hire for 11 months of the year but preference is given to performing arts-related hires.

I am interested in auditioning for one of your shows. What do I need to do?
The Blue Room Theatre is not a theatre company. The producing company of each show is in charge of its own casting. If they call out for auditions, we notify our members in our Member’s News.

How long has this been here?
The Blue Room Theatre started in 1989 (incorporated as the Performing Arts Centre Society) and we have been in this building since 1990 (initially trading as the WA Actor’s Centre). The Blue Room Theatre Seasons started in 1994. The foyer, bar and balcony were all new in 2006. The bar was renovated in 2021.

What did this building used to be?
Originally it was the senior school building of Perth Central School, built in 1905. Then it was science labs, and from the 50s-80s Perth Technical College (TAFE). In the past we have shared the building with Kaos Theatre, Australian Society of Writers, the Photography Gallery of WA, and now Propel Youth Arts WA.

KATT OSBORNE – Executive Director
Katt brings a range of experience as an arts leader, creative producer and artist to her role as Executive Director. She has been a part of the WA independent arts scene since the beginning of her career in 2008. Katt’s contributions to WA have been recognised through receiving the 2016 WA Young Achiever of the Year (Arts) and an Edith Cowan University Chapter’s Golden Key Honorary Membership (Leadership). In her previous roles, Katt was a co-founding artistic member of The Last Great Hunt and its inaugural General Manager, a 2018 Resident Artist (Director) with Black Swan State Theatre Company and Artistic Director of Mandurah’s Riptide Youth Performance Company for the last five years.

Katt is passionate about advocacy for WA independent artists and fostering a rich ecology to create and share exceptional new work and diverse stories. She is particularly interested in forging collaborations between arts organisations and supporting opportunities for emerging artists. Katt continues to maintain her performing arts practice as an independent director and performance maker.

MITCHELL THOMAS – Operations Manager
Mitch started his career as a Stage Management graduate from the WA Academy of Performing Arts and worked locally and internationally as a Stage Manager and Mechanist on a variety of productions, before landing at the then yet to be opened State Theatre Centre of Western Australia in 2010. In 2012 Mitch was appointed as the Assistant Technical Manager and then the Manager Venue Operations in 2017. In 2020 Mitch left the State Theatre Centre to take on the role of Venue Manager for a new theatre in the Perth CBD, but due to COVID-19 this venue was unable to open as scheduled. This window closing led to another door opening and the opportunity for Mitch to join The Blue Room Theatre.

Rose is an artist and organiser (often simultaneously) operating on Whadjuk Noongar boodja. She graduated Arts Management at WAAPA in 2012, following a programming internship at Sydney’s Carriageworks. Over ten years plus, Rose has worked across programming, producing and promoting in Perth arts organisations (including The Bird and Gelo), as well as independently making shows under her moniker Mummy’s Plastic. She has devised a cryptocurrency based on social capital, hosted a 24-hour karaoke room and continues to run experimental performance nights. Rose’s practice onstage and off is centred on bringing people together, nurturing a sense of collective care and sharing a laugh. She is always up for a conversation, although the term “guilty pleasure” does not exist in her repertoire.

CARO DUCA – Community Engagement Manager
Caro is a theatre maker, producer and inclusivity advocate who lives and plays on Noongar boodja. They have a passion for supporting artists and communities telling their stories. They are the creative director of Teatro Latinx Perth, an artist collective that shares Latinx Australian experiences in unconventional ways. They are also part of WAAPA’s Equity and Inclusion working group and the City of Perth’s LGBTQAI+ advisory group. When they are not working in theatre or advocacy, you can find them watching or playing soccer. They will make a huge effort not to gush about Argentina winning the Copa America 2021 and the 2022 World Cup!

RUBY SHORT – Front of House & Ticketing Coordinator
Ruby is a freelance performer working on Noongar Boodja. She completed a Diploma of Music Theatre at WAAPA in 2019 and is featured in the new musical 107 premiering at the Summer Nights 2022. She is extremely passionate about diversity in the arts and is super excited to be a part of The Blue Room Theatre team.

MATT PENNY – Housekeeping
Matt is a multi-disciplinary artist. He is a writer, actor, magician, pianist. He is currently in a band and working on a solo show called Matt Penny – Mind Hacker.

AMANDA LUKE – Senior Finance Officer
Amanda is a CPA qualified accountant with extensive experience. Originally from Queenlsand Amanda’s career has taken her around the country and the world working in diverse locations from Manhattan to Jigalong Aboriginal Community. Having spent nearly nine years as Finance Manager with Black Swan State Theatre Company Amanda brings a valuable understanding of finance in the arts. Amanda is currently working with WA Youth Jazz Orchestra. Amanda enjoys novels featuring gruesome serial killers while regarding the only unforgivable act is to confuse stationery with stationary.

PHOEBE TAN – Graphic Designer
Phoebe is a multitalented Singaporean artist, graphic designer, and marketing strategist. She crafts compelling stories that reflect her client’s unique identities and values. Her artistic works reflect her love for people and cultural exchanges, focusing on creating impact, opportunities, and conversations among both creators and viewers. Aside from daily hustle as an in-house designer at The Blue Room Theatre and Communications Officer at Propel Youth Arts WA. Outside of work, Phoebe is also the founder and curator of a successful arts exhibition and non-profit organisation, Lume Collective Perth.

ANNALEE LADIGES – Communications Coordinator
Annalee is an arts worker with a focus on marketing and communications, a graphic designer, and has previously worked as an independent producer in the Perth Comedy industry. She has run stand-up comedy rooms, produced shows in numerous venues for some of Perth Comedy’s best talent, and produced and marketed multiple seasons at Fringe World Festival. She is a former board member of the Laugh Resort, Perth’s oldest running comedy club, and has extensive front of house experience. Annalee has worked in communications and marketing roles for various Perth arts organizations including Gelo, pvi collective, Performing Lines WA, and Regional Arts WA. She has a keen interest in making the arts more accessible and less mysterious for the wider community with a firm belief that the arts are for everyone.

The Blue Room Theatre is the trading name of The Performing Arts Centre Society, which was incorporated as an association in 1989.

Click here for the current version of the Constitution for the association.

The Board of Management maintains a suite of policies that govern the management of The Blue Room Theatre. Here are a number of the key policies of interest to members and audience.

Click here for our Bullying and Sexual Harassment Policy
Click here for our Sustainability Policy – View Here
Click here for our Ticketing Policy
Click here for Sponsorship and Philanthropy
Click here for the Live Performance Australia Ticketing Code of Practice

Here’s a copy of the Purpose, Vision and Values that drive The Blue Room Theatre.

Click here to read out Purpose, Vision and Values

Arts Industry / Arts Leadership / Social Change
Board Member since 2020

Monica’s day job is co-CEO of Community Arts Network (CAN). She is also a Board member of SCOOP Foundation, which works to break the poverty cycle of children living on the streets in Varanasi, India. Monica is in the final months of completing her Masters in Human Rights Education at Curtin, with a specific focus on Indigenous and children’s rights.

Having been in arts leadership positions for over ten years, Monica’s current role at CAN enables her to create positive social change through the arts. Recently, she successfully steered the organisation through volatile times, developed an empowering culture, and established a financially viable organisation that can flourish beyond the ebbs and flows of government cycles. Most importantly, her experience at CAN has created opportunities to work with Elders on First Nations programs across Noongar country.

Previous to the arts, Monica was a sole trader, providing facilitation and training services for management and business qualifications across sectors, cultural groups and countries including Pakistan and Turkey. With her combined experience Monica brings a level, focused, and strategic perspective over governance, strategy, financial analysis, funding and partnerships, and community engagement.

Her passion for The Blue Room Theatre comes from knowing its significant place in the ecology of arts and culture in WA. And believing in how it connects stories and people and the possibility of truly reflecting the plurality of voices that make up Australia. As a young girl growing up in Perth watching productions at The Playhouse, The Blue Room, Octagon and Dolphin theatres she was mesmerised by the visceral transformation into someone’s story. The Blue Room Theatre has a special place in Perth’s history, and for emerging creatives, it brings critical opportunities that must be maintained and expanded for many years to come.

ZAINAB SYED – Deputy Chair
Arts Industry / Arts Management / Community Engagement
Board Member since 2020

Zainab is a poet, producer and educator. She graduated with a BA in Political Science from Brown University, USA. From 2014-2017 she toured as a performance poet across the US, UK, Middle East, South Asia and Australia and facilitated art therapy workshops for incarcerated women, trauma victims and migrants and refugees. She is co-founder of Pakistan Poetry Slam and illUMEnate, a collective of diverse artists and humanitarians in WA.

In 2017 Zainab joined Performing Lines WA as a Producer, where she has worked on/toured: Whoosh! by Sensorium Theatre, Layla Majnun by illUMEnate, Small Voices Louder and Dear Hope Street by Maybe Together, Fully Sikh by Barking Gecko and Black Swan, Minneapolis by Will O’Mahony, Black Brass by Mararo Wangai, Children of the Sea by Jay Emmanuel and 5+5 (Sydney) with the SweatShop and Playwriting Australia. Zainab is a PAWA Judge, Member of CAN Diversity Working Group and a 2020 Churchill Fellow. With PLWA she regularly attends APACA/PAX, Dance Massive/ATF and WA Showcase.

Zainab’s passion is in curating and facilitating opportunities for intercultural collaboration between independent artists and re-imagining the frameworks around inclusion. She believes theatre has the power to forge transformative experiences and connections between people and communities, and she looks forward to being involved in developing the Blue Room’s access and inclusion strategies and initiatives during her term. She brings her experience in creating new pathways for emerging and diverse artists, championing the independent arts sector, and supporting WA artists and stories to tour regionally, nationally and internationally, to benefit The Blue Room Theatre’s membership, and community as they embark on an exciting new chapter together. 

TANYA PAYNE – Treasurer
Finance / Accounting
Board member + Treasurer since 2010

Tanya has worked in finance at various firms for over 20 years while completing a Bachelor of Business (double major in Accounting and Management) at Edith Cowan University. She has held board positions with various other not-for-profit organizations including the Finance Committee of The Centre for Cerebral Palsy and Duncraig Senior High School, and sat on the Perth Theatre Company board for six years.Tanya’s insight into financial management and dealing with government comes from 12 years with Marketforce, a leading WA advertising agency, and having recently joined Volunteer Task Force, a government funded community organization assisting the frail, aged and disabled.

SAM NERIDA – Secretary
Artist (Performance Maker / Writer / Producer)
Board member since 2020

Sam Nerida is a theatre maker, producer and award-winning playwright, working and living in Boorloo on Whadjuk Noongar boodja. They are also the Producer and co-founder of Static Drive Co, a Digital Puppeteer for Murdoch University, and an arts-educator for young people. In 2020 Sam was commissioned to contribute to Playwriting Australia’s ‘Dear Australia’ project, was a KISS Club and Perth Festival Lab artist, developed several Winter Nights projects and is currently directing The Jellyman. Their play ‘See You Next Tuesday’ was awarded Best New Writing (The Blue Room Theatre), Best New Work and Best Independent Production (PAWA Awards) for 2019. They have worked for The Blue Room Theatre as their Associate Producer (2018 – 2019), and their recent performance credits include The Wolves (Red Ryder, 2019).

Sam’s love for The Blue Room Theatre has grown with each new way they have engaged – as an artist, an audience member, a staff member – and will bring a fierce passion for both the organisation itself and the WA arts sector at large. Recently their practice has moved away from performance projects and towards the facilitation of professional and sector development, specifically in areas of youth engagement, disability and cultural diversity, always with values of self-determination and inclusivity at the forefront. Sam believes that The Blue Room Theatre always is and will continue to be an industry leader in both performance and process, and would honour the chance to be a part of that journey for the coming years.

Artist (Director / Dramaturg)
Board member since 2020

Emily McLean trained at WAAPA and is a founding member of Red Ryder Productions. She has directed for Black Swan State Theatre Company, Perth Theatre Company, Deckchair, Red Ryder, WAAPA, Curtin, Maiden Voyage Theatre Company and others. Last year Emily directed Water by Jane Bodie (BSSTC), assistant directed The Torrents by Oriel Gray (BSSTC), and directed The Wolves by Sarah DeLappe (Red Ryder). In the last eight years she has directed ten new Australian works. In 1996 Emily directed her first ever show at The Blue Room Theatre, Dancing with the Fabulous Rat Girl by Tom Horne. Since then she has directed over ten shows there (including Grounded by George Brant, Toast by Liz Newell, Fat Pig by Neil LaBute and Slut by Patricia Cornelius). She has mentored Blue Room directors and writers, sat on the selection panel, been in the audience and occasionally had a drink at the bar. She would love a chance to give back to this company that has given her (and all of us) so much over the years.

ALI MARTIN (she/her)
Marketing & Communications
Board member since 2022

Ali Martin is an accomplished purpose-led marketing and communications professional with a strong history of success delivering effective campaigns, motivating high performing teams and engaging partner support.

She has worked across diverse industries delivering strategic marketing and communications for nearly 20 years. Her experience includes leading marketing and communications teams at WA Museum, Water Corporation, The University of Western Australia, and the Department of Sport, Local Government and Cultural Industries. Her current role as Senior Marketing Officer at the State Government’s Small Business Development Corporation sees her helping WA small businesses to start well, survive and thrive.

Ali is passionate about the capacity of arts organisations to support cohesion, advocacy and improved health and wellbeing, both at a community and individual level. She is proud to have supported the WA arts and media communities through her volunteer leadership roles at Propel Youth Arts, The Last Great Hunt theatre company, The Blue Room Theatre, and Women In Media WA. In these volunteer roles, she has collaborated with her peers to support rigorous conversations, drive corporate strategy, assess financial sustainability, and engage key stakeholders such as donors, funders, sponsors, members and partners.

Outside of work, you will find Ali walking her greyhound Amy Grace, dabbling in pottery and treating her nieces and nephews to ‘Aunty Ali Arts Outings’.

CLARA MILLET (she/her) 
Philanthropy & Fundraising
Board member since 2022

Clara is driven by helping organisations achieve their philanthropic and sponsorship growth, facilitating positive social change. With a degree in law and further studies in executive business development, cultural politics, marketing, and fundraising, Clara has enjoyed a varied international fundraising career, having achieved consistently outstanding results for multiple organisations across various sectors: child protection, education, intellectual disability support services, and the arts and music industry, in Australia (Perth), England (London, Cambridge and Birmingham), and Spain (Barcelona).

Over the past ten years working in Perth – Western Australia, Clara has built a large industry and Government network and has established a positive profile in the growing Australia philanthropic scene. In her current role as Partnerships Manager, she takes carriage of Parkerville Children and Youth Care funding streams, securing philanthropic and sponsorship revenue, and managing relationships with clients, sponsors, donors, and stakeholders.

In 2020 Clara worked for 12 months where she worked as the Associate Director at Boscana Foundation a, a not-for-profit organisation, supporting women with intellectual disabilities. During here time there, she led a successful Covid-19 fundraising digital campaign, which she had the privilege to present a year later at the 2021 FIA WA Fundraising Forum in Perth.

Arts Industry
Board member since 2022

Ella Hetherington has worked extensively as an actor, physical performer and contemporary performance maker across a range of performance disciplines. As an actor, devisor and collaborator she has worked with all the major Western Australian theatre companies, The Last Great Hunt, Sensorium, aMoment, Steamworks, littleY, Emma Fishwick, Renegade Productions, Encounter and kdm Industries. She has toured internationally as a physical performer with her own projects and created works with companies such as Patch, La Fura Del Baus, Erth, Legs on the Wall and Force Majeure. Ella has received several Equity nominations for her theatre roles and a Helpmann nomination for The Red Tree.

As a writer she has had works commissioned by the WASO, Bizircus, The WA Museum with her first major work ShadowBoxing being commissioned, produced and toured by Black Swan State Theatre Company. Ella is a casual lecturer in devising at WAAPA and the co- director of Maxima.

Her commitment to new works and emerging and experimental practice has meant a strong connection with The Blue Room over many years. She believes passionately in the capacity for performance to both articulate and elevate the contemporary experience, she relishes working with artists to expand creative possibilities and sharing this with new audiences.

Arts Industry
Board member since 2022

After majoring as a visual artist at Sydney’s College of Fine Arts (COFA), Kaitlin made a living working as an award-winning short-form performance artist in the cabaret industry for over 12 years. She’s toured nationally with Big Day Out, Parklife, Club Briefs, The Australian Burlesque Festival, Harvest Festival and Big Band Burlesque.

Relocating to Melbourne in 2009, Tinker worked as programmer & in-house producer for several celebrated cabaret venues, including Red Bennies. She completed a Bachelor of Film in early 2015, before travelling internationally with her award-winning directorial debut, The Man Who Caught A Mermaid, to Oscar-qualifying festivals in Japan, Canada, USA and Europe.

Currently, Kaitlin runs independent production house, Acid Tongue, which specialises in producing and touring provocative ensemble shows (Size Queens, Baby Got Back, Naked Girls Reading) and video/design for creatives. Tinker has worked as Event Operations Coordinator at STCWA and is currently Programming Coordinator for Perth Theatre Trust and STATE OF PLAY. She made her playwright debut with EARTHSIDE at The Blue Room Theatre in 2022.

Tinker is passionate about the infiltration of low brow fringe culture in ‘high art’ institutions, the sharing of skillsets and helping the next generation of artists to navigate the roadblocks.

We strongly encourage people from underrepresented backgrounds (including people who identify as First Nations, People of Colour, living with disability, LGBTQI+) to apply for any of these positions.

Casual Technicians – EOI ongoing

We are accepting applications for Casual Technicians.
Download the application pack here.

Thank you for your interest in being a part of our casual team

Featured Image by Sophie Minissale