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The Blue Room Theatre stands on the lands of the Noongar peoples of the Bibbulmun Nation. We acknowledge Elders past and present, and pay our respects to the continuing culture and contribution that all First Nations people make to the life of this city and this region.

The Blue Room Theatre (TBRT) is a member-based not-for-profit and the creative hub for WA’s independent theatre for over 36 years, located in the Perth Cultural Centre. We enable new Australian performance by providing artists with a venue, resources, learning and support to create and present original work. TBRT has launched the careers of Matthew Lutton, Kate Mulvany, Tim Minchin, Claire Hooper, The Last Great Hunt and many more. 

We champion new talent and fresh work year-round, showcasing and developing the most exciting independent contemporary performance from Western Australia and beyond. 

Our program includes our Summer Nights festival each January–February, followed by a dynamic calendar of shows, residencies, professional development workshops, and industry gatherings from March through December. 

We also make our spaces available for venue hire throughout the year. You can get in touch with pete@blueroom.org.au if you’d like to know more, or head to the hire page to find out more.  

Applications for our programs open once a year. The best way to stay in the loop is by becoming a member, and you’ll find key dates, info packs and selection criteria under the Artists section of our website. 

With more than 35 years of providing resources, advocacy, and space for independent performance in Perth, we’d love for you to visit, connect, and experience a show with us. 


Sukhjit Kaur Khalsa OAM Executive Director

Sukhjit Kaur Khalsa OAM is a writer, performer, producer and cultural leader based in Boorloo. Her work as a multi-form artist for the last decade has been recognised at the Performing Arts WA Awards (2020), Mona Brand Writing Awards (2022), WA Multicultural Awards (2022) and Australian Sikh Awards (2023). Her passion for storytelling began as a finalist in the Australian Poetry Slam (2014), semi-finalist on Australia’s Got Talent (2016) and winner of The Moth GrandSLAM (2019). Sukhjit premiered her sell-out theatre show ‘Fully Sikh’ with Barking Gecko Theatre Company and Black Swan Theatre Company (2019). Since then, she has been developing her comedy series ‘What Would Suki Do?’ with support from ABC TV and is currently producing ‘A Hairy Tale’, a documentary exploring female body hair. Sukhjit presented at TedxUWA (2017), TedxNewtown (2019) and has supported Missy Higgins and L-FRESH the Lion on their national tours (2016-17). Her poetry and community projects have led her to tour globally and across the nation.

Sukhjit and her partner, Perun Bonser, were selected to develop their rom-com series ‘One of the Good Ones’ at Ron Howard and Brian Grazer’s talent lab, Impact Australia (2020). They premiered their video installation work ‘Between Breaths’ at Goolugatup Heathcote Art Gallery (2022) and the work toured in 4A Centre for Contemporary Asian Art’s exhibition ‘Bush Diwan’ (2022-23). Sukhjit was a story-telling trainer at the Centre for Stories (2018-23) and her debut hip-hop single ‘Collectables’ is now streaming on global music platforms. Sukhjit was selected to participate in a Broadway producing program with Theatre Producers of Colour in New York (2023) and her debut novel Fully Sikh: hot chips and turmeric stains (Upswell Publishing) is available now. Sukhjit is the Executive Director of The Blue Room Theatre and has been selected to be in Creative Australia’s 2024-25 Creative Leadership cohort.

 

Pauline Sikweti – Finance Manager

Pauline Sikweti manages finances at The Blue Room Theatre. She has a strong interest in Culture & the Arts and finance. This has led Pauline to a career as a freelance bookkeeper/BAS agent to various arts organisations and small businesses. Pauline has been working in the accounts industry for over 20 years and enjoys being surrounded by the creativity that the Arts sector brings. As Finance Manager, Pauline oversees all areas of finance at The Blue Room. Pauline also works with several other arts organisations and not-for-profits.

 

Joel Evans – Program & Engagement Manager

Joel is a poet, dad, partner, actor, creative producer, and teacher. Joel’s been a Teaching Artist for Western Edge Youth Theatre, the Education Assistant at The Malthouse Theatre, Outreach Coordinator at Arts Centre Melbourne and Senior Arts Programmer at Bunjil Place. Joel is passionate about collaborative community producing and co-design programming, dedicated to changing the arts sector to become truly equitable and inclusive. Joel moved to WA to be the produce Community Programs at the City of Fremantle, he is currently the Program & Engagement Manager at The Blue Room Theatre. He has a cat called Yoda, loves coffee and calls Hilton home.

 

Rhiannon Petersen – Production and Venue Manager

Rhi is a performance maker, visual designer, and lighting technician based in Boorloo (Perth), who makes fun, weird, genre bending art. Rhi completed a BA in Performance Studies in 2015 (Curtin University). Rhi’s previous creations include The Jellyman (The Blue Room Theatre, 2020), Survive the Apocalypse!! (TBRT Online, 2020), The Big Dark (TBRT, 2018), and Shout Lab (Crack Theatre Festival, 2016). Previous lighting designs include Squared Off (Offbase Dance, 2024, Fridays Studio), Homeward Bound (Lazy Yarns, 2022, TBRT), Little Women (Mel and Sal, 2021, TBRT), and Bite the Hand (The Last Great Hunt, 2021, Subiaco Arts Centre); and previous scenography includes Las Hormigas (Pilar Mata Dupont, 2022, PICA), and See You Next Tuesday (Static Drive Co., 2022, Subiaco Arts Centre Studio). Rhi’s work has been described as ‘exciting, pertinent and ambitious theatre’ (Seesaw Mag, 2020).

 

Pete Chuang – Venue and Ticketing Coordinator

Pete (Yu-Ying) Chuang is a creative based in Boorloo, WA. He holds a Master of Arts in Professional Writing and Publishing from Curtin University. His field of interest focuses on cultural differences as expressions of shared topics, like flowers on a common ground. His creative non-fiction writing Homesick has been published in the Portside Review. In his free time, Pete is interested in experimenting languages through translating his own works into Mandarin, English and Japanese.

Pete’s fondness for photography grew from a hobby to his chosen method of storytelling. He journals the urban landscape, the third spaces and the relationships between its inhabitants. Struck by the film Yi Yi (2000), Pete is especially drawn to the backstories beneath people’s facades. His works have been shown as part of a collective at the Perth Centre for Photography.

 

Shuling Wong – Program & Engagement Coordinator

Shuling is a Boorloo-based arts worker whose career began as an independent contemporary dancer working with various choreographers and companies. In 2018, she transitioned into arts management, working and volunteering at major arts and cultural festivals, including AsiaTOPA, Castlemaine State Festival, and Melbourne International Comedy Festival. Returning home in 2019, Shuling joined FRINGE WORLD before moving to The Rechabite as Arts and Cultural Programme Manager. In 2021, she co-founded OFF-base Dance with Artistic Director Tyrone Lrae Robinson, presenting bold, other worldly contemporary dance works. Shuling is passionate about championing local independent art, fostering community connection and creating engaging, site-response art experiences.

 

Mohammed ‘Ayo Busari’ – Communications & Marketing Coordinator

Mohammed ‘Ayo Busari’ (He/Him) is a Boorloo-based award-winning Creative Producer &  Director, Visual Artist, DJ, Writer, Performer, Disability Support Worker and Community Curator. With extensive experience across Nigeria, the UK, and Australia, he is an interdisciplinary artist expressing himself through photography, filmmaking, theatre, music, live performances, design, and writing. A graduate of Journalism & Media (BA Hons) from University of Hertfordshire (England) & Screen Arts (MArts) from Curtin University, Ayo is constantly learning and evolving as an all-around multidisciplinary creative and arts producer. 
 
As the founder of TAB Family & blue joy theatre co and Co-Founder of The Outsiders & The TOOL Event, Ayo creates platforms for creativity and collaboration between BIPOC and Non-BIPOC people. His work spans curating exhibitions, producing shows, mentoring youths, and performing at renowned venues. He currently serves as the Communications & Marketing Coordinator at The Blue Room Theatre and actively contributes to arts governance as a board director for WAYTCo and Regional Arts WA. 

CONSTITUTION
The Blue Room Theatre is the trading name of The Performing Arts Centre Society, which was incorporated as an association in 1989.

Click here for the current version of the Constitution for the association.

 

PURPOSE, VISION & VALUES
Here’s a copy of the Purpose, Vision and Values that drive The Blue Room Theatre.

Click here to read out Purpose, Vision and Values

Mallika Macleod – Chair
Governance / Finance & Audit / Accessibility / HR / Leadership & Training / Compliance / Arts Management

Mallika Macleod is a distinguished disability advocate, community leader, and arts administrator. With over 25 years of experience in community and cultural development, she has been instrumental in promoting inclusivity and accessibility within the arts and broader society.

As the Director of Client Services at DADAA, Mallika oversaw programs that empowered artists with disabilities to actively participate in the cultural sector. Her leadership ensured that artists receive the necessary resources and support to thrive.

Mallika’s extensive board experience includes roles at Arts Access Australia (Board Member & Chair), People with Disabilities WA (Treasurer), DADAA (Board Member), and the Health Consumers’ Council of WA (Chair). She also serves as a Board Member of the Australian Inclusion Group, contributing her lived experience and professional expertise to advance disability inclusion.

A passionate advocate for nurturing emerging leaders, Mallika emphasises the importance of investing in diverse talent to ensure equitable opportunities across industries. She believes that fostering new leadership is crucial for sustainable and inclusive growth. Mallika has experience in financial literacy, budget and grant management, compliance, risk management, audit, contract, sustainability and fee for service development and delivery.

Mallika’s personal journey as an intercountry adoptee from Sri Lanka and her lived experience with disability following a childhood accident have profoundly shaped her advocacy. She champions the mantra “nothing about us without us,” underscoring the necessity of centering the voices of those with lived experiences in policy and decision-making processes.

Through her unwavering commitment, Mallika Macleod continues to inspire and drive meaningful change, advocating for a more inclusive and equitable society.

 

Ali Martin – Deputy Chair
Marketing & Communications

Ali Martin is an accomplished purpose-led professional with a strong history of success delivering effective campaigns, motivating high performing teams and engaging partner support.

She has worked across diverse industries delivering strategic marketing and communications for nearly 20 years, including at WA Museum, Water Corporation, UWA, and the Department of Sport, Local Government and Cultural Industries.

Her current role as Digital Transformation Lead at the Department of the Premier and Cabinet see her collaborate across government to develop and deliver the digital services the WA community wants and needs.

Ali is passionate about the capacity of arts organisations to support cohesion, advocacy and improved health and wellbeing, both at a community and individual level. She has completed the AICD’s Governance Foundations for Non for Profit Directors course and has more than a decade board experience, including her current role as lived experience advocate and Deputy Chair at ADHD WA.

Ali has recently completed a Graduate Certificate in Social Impact from UWA’s Centre for Social Impact and is excited to put this new learning and skillset into place to best support WA’s community.

Outside of work, you will find Ali walking her rambunctious greyhound Little Nattie and treating her niblings to ‘Aunty Ali Arts Outings’.

 

Satvinder Sekhon – Treasurer
Finance / Accounting

Satvinder is an experienced Financial and Management professional and has undertaken a range of senior Finance and Commercial Director roles in the Private, Public and Not For Profit sectors.

Prior to this he worked in the role of Senior Audit Manager for 2 of the big 4 Audit Companies. He has worked in many different countries and challenging environments and has extensive experience in the Strategic Financial Management.

Satvinder is a Fellow Chartered Management Accountant (UK), Chartered Global Management Accountant (CGMA) and Fellow Certified Public Accountant (Kenya).

Satvinder is an Alumnus of the Leadership WA 2014 Signature Leadership Program.

Satvinder was selected by the Public Sector Commission to attend the Jawun Program in the Kimberley in 2016.

Satvinder has a keen interest in mentoring and developing leaders from diverse backgrounds and has mentored for the WA Public Sector Inter Agency Mentoring Program.

Satvinder was appointed Non-Executive Director of Arts Access Australia in 2020.

 

Ana Ferreira Manhoso – Secretary
Artist / Behavioural Science / Business Leadership

Ana Ferreira Manhoso is a creative and an organiser based in Wayalup (Fremantle).

She has been managing artists and producing theatre for over ten years, founding Crash Theatre Company and working largely in festival landscapes and artistic touring. After completing her undergraduate studies in behavioural science and a master’s in business leadership, her current working role in tertiary management involves developing strategies aimed to widen participation and diversify the student body by increasing support and educational access for underrepresented cohorts.

Ana is pragmatically passionate about turning ideas and concepts into reality. Through an academic lens of social science and leadership theory, she is focussed on impactful storytelling and promoting transformative benefit and growth for communities and organisations.

As an engaged Blue Room member and practicing artist, Ana champions the pursuit for equitable practice, furthering opportunities, and creating new pathways for independent artists. She believes that The Blue Room Theatre is a sacred gem in the ecology of West Australian arts; the flagship of independent theatre-making, providing fundamental development opportunities to emerging artists that is simply unmatched.

 

Clara Millet
Philanthropy & Fundraising

Clara is a driven individual who aims to help organisations achieve philanthropic and sponsorship growth for positive social change. She holds a degree in law from Barcelona, her hometown, and has completed postgraduate studies in executive business development, marketing, and fundraising. Since 2001, Clara has had a varied international fundraising career working across multiple sectors, including the arts, disability, child protection, and education, in Barcelona, London, Birmingham, and Perth.

In 2012, Clara moved to Australia, where she built a large philanthropic and industry network. She gained experience at World Vision Australia, Murdoch University, and Parkerville Children and Youth Care. Currently, Clara serves as the Bequest Manager at The University of Notre Dame. In this role, she is responsible for the development, growth, and quality of Notre Dame’s bequest program.

Clara completed the Certified Fund Raising Executive Certification in 2023, the only accredited, globally recognised credential for fundraising professionals. She also serves on the Fundraising Institute Australia WA Committee, the state peak body representing professional fundraising in Australia.

You will find Clara horse riding at South Beach in Fremantle in her free time at 5 a.m. She is passionate about horses!

 

Raj Doshi
Governance / Finance

Raj is a recently Elected member at the City of Perth council. Originally from the UK where she worked as a financial advisor for the Royal Bank of Scotland for 15 years across Northamptonshire, Nottinghamshire and Leicestershire. Perth has been her home since 2014, living in the City was very important for her, being amongst the entertainment and vibrancy is key as is the walkability.

She has always found her communication skill set has been received well as she has always dealt with even the most difficult of people with kindness, this usually wins them over and respect is not lost on both sides. Compliance and sound financial budgeting have been ingrained in most roles she has chosen including the current role she has as an elected member.

She will bring a different dynamic to The Blue Room Theatre, especially in Governance and networking. Thanks to her role as an Elected member, we will be fortunate to connect with many different organizations and donors in the Arts work, creating great leverage when it comes to creating relationships on a larger scale to help support the team and grow The Blue Room Theatre.

 

Cassandra Nguyen
Artist / Leadership / Media

Cassandra Nguyen is a writer, director and producer based in Boorloo/Perth, Western Australia, her work is predominantly in screen, but more recently, has included the development of live performance pieces. Her short films have screened globally at various festivals such as TIFF Kids, Tokyo Kinder Film Festival, Asians on Film (LA), Multicultural Film Festival (Victoria) and won numerous awards.

Last year she participated in a playwrighting workshop facilitated by The Last Great Hunt, resulting in the early development of various theatre works, and in 2022 was part of the Creative Producing Circle at The Blue Room Theatre lead by Shona Erskine.

Currently, she is the Chair for the Diversity Leadership Group (WA screen), a committee member for WA chapter of the Australian Writers Guild and a grant assessor for the Community Broadcast Fund. She graduated the Office of Multicultural Interests (WA) Leadership and Governance program in 2023.

She has written and story-lined on season two of The Heights (ABC TV & Matchbox Pictures) which aired in Australia and in the UK on BBC One. In 2023, she completed a month-long artist residency at Forrest Hall to develop a feature film treatment supported by the Minderoo Foundation and is part of 2023-2024 Artist Cohort. In 2021, she was selected as the WA candidate for the SBS Emerging Writers’ Incubator, a highly competitive national writers’ program in Australia.

 

Lisa Watson
Artist / Community Engagement

Lisa Watson is a South African creative passionate about community and performing arts. Her journey from Cape Town to Auckland, New Zealand, and finally Boorloo (Perth), Australia, has enriched her appreciation for diverse cultures and arts.

Lisa’s love for acting expanded to spoken word and literature. Despite challenges, she completed acting school and a mass media and communications course, launching her creative career. Her involvement in various projects celebrates African culture in inclusive spaces.

In 2021, Lisa participated in the Performing Lines Kolyang Diversity Lab, leading to the naming of ‘The Seed’ room for its impact on CaLD participants. She further honed her skills in the ‘To The Front’ residency with Roots TV and contributed to the Humans of Armadale project, earning a role on the Multicultural Advisory Group for the City of Armadale.

As co-founder of ‘Our Collective Dream’ (OCD) and The Outsiders, Lisa curates events for the BIPOC community. Transitioning from hospitality to corporate admin roles, she now serves as a Community Development Officer at Hillview Intercultural Community Centre, blending her arts and community development passions.

Lisa champions diversity and equity, aiming to inspire young artists and foster community connections. Her resilience and dedication make her a significant community figure.

General Manager

We’re looking for a General Manager to keep The Blue Room Theatre running smoothly, efficiently, and with integrity. 

You’re an experienced manager who understands that strong systems are the backbone of a thriving organisation. You’re confident in managing finances, HR, compliance and risk, and you know how to create clear processes that support people to do their best work. 

As General Manager, you’ll oversee the daily operations of our busy venue and organisation — leading budgets, contracts, policies, reporting and operational systems. You’ll ensure that our work is accountable, transparent and sustainable. You’ll support and manage a skilled team, setting clear expectations, maintaining high standards, and fostering a safe and respectful workplace. 

Equity and justice sit at the heart of how we operate. You bring this lens to your decision-making, ensuring our processes are fair, inclusive and accessible for staff, artists and members alike. You understand how organisational systems can either exclude or empower — and you choose to build systems that enable equity. 

You’re steady under pressure, organised, and detail focused. You build trust through reliability and clear communication, and you’re skilled at balancing multiple priorities in a complex environment. 

If you’re looking for a senior management role where operations, equity, and accountability come together — and where your work directly supports a vibrant arts community — we’d love to hear from you. 

Apply Here